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fjt_660808 - FREEMASONRY LES ARTS ET L’AMITIE 1819

FREEMASONRY LES ARTS ET L’AMITIE AU
300.00 €(Approx. 318.00$ | 249.00£)
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Type : LES ARTS ET L’AMITIE
Date: 1819
Metal : gilt metal
Diameter : 35 mm
Orientation dies : 12 h.
Weight : 18,68 g.
Edge : Lisse + CHAUDE R :. + :.
Coments on the condition:
Bélière
Catalogue references :
Predigree :
Exemplaire provenant de la collection Charlet

Obverse


Obverse legend : LOGE CHAPITRALE DES ARTS ET DE L’AMITIE * ; EXERGUE : 5819 / COQUARDON * CH :. K :. S :..
Obverse description : Feu sur un autel portant un niveau et entouré de symboles des arts (tableau, palette, trompette, lyre, livres) et d’attributs maçonniques (maillet, rapporteur, compas).
Obverse translation : (Chevalier Kaldosch) .

Reverse


Reverse legend : * UNION * ZELE * REGULARITE * O :. DE PARIS.
Reverse description : Rose sur la croix devant deux épées croisées. L’ouroboros entourant le tout..

Commentary


Pour Marc Labouret, la loge est crée en 1806, et démolie par la grande loge Symbolique en 1808, à la suite d’une bagarre en loge ! Elle reprend ses travaux l’année suivante, mais végète jusqu’à la monarchie de juillet. En 1836, le sénat maçonnique sanctionne l’atelier en suspendant ses travaux pendant un an, la loge va tout de même poursuivre les conférences ce qui va déplaire aux autorités. Exemplaire non référencé en cuivre dans le Labouret.

Historical background


FREEMASONRY

The compass and the square are very often associated in an ambivalent symbol of balance: fixity and mobility, passive and active, matter and spirit.. The compass is the tool of the Creator and of the great Architect of the Universe. The spacing of the branches of the compass obeys precise rules and varies according to the three degrees: apprentice, companion, master. The Napoleonic era, in the activity of lodges as in that of many groups, saw a flowering after the terrible years of the revolutionary period. Masonic activity, rid of its republican theories and firmly controlled by a Grand-Master appointed by the Emperor, experienced a vigor in unity never found since.. It is considered that each regiment, each garrison, each city had its Lodge. The testimonies that the sumptuous tokens of the period leave us show that these lodges were rich and influential.. The symbolism is sought after, without comparison with the later eras, which were much more conventional, even bland or destitute at the beginning of the 20th century.. Freemasonry had more than a thousand lodges spread over one hundred and thirty departments and more than sixty thousand Brothers.

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FREEMASONRY LES ARTS ET L’AMITIE AU
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