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Live auction - bry_667805 - LOUIS XIV "THE SUN KING" Écu de Navarre, portrait à la cravate courte 1672 Saint-Palais

LOUIS XIV  THE SUN KING  Écu de Navarre, portrait à la cravate courte 1672 Saint-Palais VF/XF
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Estimate : 12 000 €
Price : no bid
Maximum bid : no bid
End of the sale : 15 June 2021 16:39:50
Type : Écu de Navarre, portrait à la cravate courte
Date: 1672 
Mint name / Town : Saint-Palais
Quantity minted : 29651
Metal : silver
Millesimal fineness : 858 ‰
Diameter : 38 mm
Orientation dies : 6 h.
Weight : 27,07 g.
Rarity : R3
Coments on the condition:
Cet écu est frappé sur un flan large et irrégulier présentant de petits défauts de flan. Une patine grise recouvre cet exemplaire. De petits coups sur la tranche et un autre sous le deuxième E de BENEDICTVM. D’infimes stries d’ajustage sur la chevelure du roi
Catalogue references :
Predigree :
Exemplaire provenant de la collection Claoué (vente Crédit de la Bourse, 26-28 avril 1993, n° 710)

Obverse


Obverse legend : LVD. XIIII. D. G. (SOLEIL). - FR. ET. NAV. REX.
Obverse description : Buste drapé et cuirassé à droite de Louis XIV, avec la cravate de dentelle, la chevelure longue.
Obverse translation : (Louis XIV, par la grâce de Dieu, roi de France et de Navarre).

Reverse


Reverse legend : .SIT. NOMEN. DOMINI. BENEDICTVM (MM) 1672.
Reverse description : Écu couronné mi-parti de France et de Navarre.
Reverse translation : (Béni soit le nom du Seigneur).

Commentary


Ce type monétaire fut le dernier frappé dans la Monnaie de Saint-Palais. Il ne fut frappé qu'en 1672 à partir de carré utilisant le poinçon d'effigie à la cravate gravé par Jean Warin. Le 28 juillet 1672, un poinçon d'effigie fut déposé par Warin au greffe de la Monnaie de Paris et était destiné à la Monnaie de Toulouse, hors cet atelier ne frappa jamais d'écu avec ce poinçon. Il est probable que le poinçon destiné à la Monnaie de Toulouse, qui fut remis le 4 août 1672 au régisseur général Claude Thomas, fut déposé à la Monnaie de Saint-Palais. Cette hypothèse a été avancée pour la première fois par Christian Charlet, "Une utilisation à Saint-Palais, en 1672, d'un poinçon d'effigie destiné à la Monnaie de Toulouse ?", BSFN, juin 1994, p. 888-892. Christian Charlet et Emmanuel Henry se sont particulièrement intéressés à ces écus de Saint-Palais. D’après les travaux de Fernand Arbez, 29.651 exemplaires ont été frappés pour un poids total de 3.296 marcs 1 once 21 deniers. Exemplaire issu de la même paire de carrés que l’exemplaire de la vente The Bru Sale, 9 décembre 2011, n° 189. Un article spécifique de Christian Charlet consacré à cette monnaie et cette série a été publié dans le Bulletin Numismatique de janvier 2021. Une mise au point sur le poinçon d’effigie est en cours et sera publier par Christian Charlet et Arnaud Clairand. Le poinçon d’effigie n’est pas celui de Toulouse, mais bien un poinçon expédié depuis Paris.

Historical background


LOUIS XIV "THE SUN KING"

(05/14/1643-09/01/1715)

The reign of Louis XIV is the longest and most glorious in the history of France. Son of Louis XIII and Anne of Austria, born September 5, 1638, the third Bourbon king ascended the throne in 1643 and remained there for seventy-three years. He died on September 1, 1715, aged seventy-seven.. Between 1643 and 1661, under the regency of Anne of Austria and the ministry of Cardinal Mazarin, absolutism was built through combat: internal struggle against the Fronde, external struggle against Spain. The personal reign of Louis XIV began in 1661, when the young king decided to "govern by himself".. The absolute monarchy then reached its peak, the king being surrounded by a team of exceptional ministers: Le Tellier, Louvois, Colbert, Seignelay. This prosperous period ended during the 1680s, with the first setbacks, the revocation of the Edict of Nantes (1685), the end of the great external successes and the gradual disappearance of the entourage of the first years (Colbert died in 1683 , Le Tellier in 1685, Seignelay in 1690, Louvois in 1691). The third and last part of the reign, between 1685 and 1715, is more difficult. The aging king finds no such collaborators. Glorious, this reign was first a warlike reign. Never has France known so many wars: the Thirty Years' War, completed with the Empire in 1648, with Spain only in 1659, War of Devolution (1667-1668), War of Holland (1672-1678), war with Spain (1684), War of the League of Augsburg (1688-1697), War of the Spanish Succession (1701-1713). She never knew more victories and more conquests: in 1648, the treaties of Westphalia gave her Alsace, in 1659, the peace of the Pyrenees, Artois and Roussillon; in 1668, by the Peace of Aix-la-Chapelle, it reached Flanders; in 1678, by the Treaty of Nijmegen, Franche-Comté. In 1681, the king annexed Strasbourg. The following decades were less happy: in 1697 (Treaty of Ryswick), France ceded Luxembourg; in 1713 and 1714 (treaties of Utrecht and Rastadt), she abandoned Acadia, a prelude to the loss of America, fifty years later. The reign of Louis XIV therefore corresponds quite exactly to the age of French preponderance in Europe: France supplanted Spain; it will soon be supplanted by England, which holds the empire of the seas and the expanses of the New World. To the glory of the victorious and conquering king is added the glory of the king administrator, legislator, protector of arts and letters. Louis XIV and his ministers gave perfection to the construction of the monarchy: the legislation was reformed, the nobility subdued, the provinces tamed, heresy overthrown, artists and writers put themselves at the service of royal power. Lex una sub uno sole: "a single law under a single sun": everything must revolve around the star-master. The whole of Europe feels the attraction and prestige of Versailles. The reality is undoubtedly less brilliant than this flattering program: the royal administration remains too small to really frame the largest and most populous kingdom in Europe; particularisms resist; the Protestants leave to enrich the enemies of France. The fact remains that it is the image of the king of glory that has imposed itself in the memories, as Louis XIV had decided and wanted it.. There lies the true triumph of this prince: for France and for Europe, for the following century and for centuries to come, for contemporaries as for posterity, he was and remains the king par excellence.. Coins and medals, which restore to us the Jupiterian profile of the great monarch, are part of this will and this success.. Louis XIV paid particular attention to them: the Grand Siècle is also a great century of numismatics.

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