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v11_1876 - 10 francs or Napoléon III tête nue, petit module 1854 Paris F.505A/1

10 francs or Napoléon III tête nue, petit module 1854 Paris F.505A/1 AU
MONNAIES 11 (2002)
Starting price : 487.84 €
Estimate : 686.02 €
Realised price : 487.84 €
Number of bids : 1
Maximum bid : 487.84 €
Type : 10 francs or Napoléon III tête nue, petit module
Date: 1854
Mint name / Town : Paris
Quantity minted : 2559012
Metal : gold
Millesimal fineness : 900 ‰
Diameter : 17 mm
Orientation dies : 6 h.
Weight : 3,21 g.
Edge : cannelée
Rarity : R1
Coments on the condition:
Une rayure sous le cou de l’empereur sinon un exemplaire présentant de très faibles traces de circulation

Obverse


Obverse legend : NAPOLEON III - EMPEREUR.
Obverse description : Tête nue de Napoléon III à droite ; signé BARRE au-dessous.

Reverse


Reverse legend : EMPIRE FRANCAIS/ A// 10/ FRANCS/ 1854 .
Reverse description : dans une couronne formée de deux branches de laurier.

Commentary


Ce type a toujours été rare car la plupart des pièces ont été refondues en 1855 et 1856, soit un total de 3.759.103 pièces sur une fabrication globale de 4.857.840 pièces.

Historical background


SECOND EMPIRE

(2/12/1852-4/09/1870)

Napoleon III bareheaded

The Empire was proclaimed on December 2, 1852 and Napoleon III married Eugénie de Montijo (1826-1920) on January 29, 1853. Haussmann was appointed Prefect of the Seine on June 23, 1853 with a major urban planning project for the capital. France declared war on Russia on March 27, 1854, the start of the Crimean War. The French, allied with the English and the Turks, won the victory of Alma on September 20 and, on September 26, laid siege to Sevastopol, which fell on September 10, 1855. The Universal Exhibition in Paris began on May 15, 1855 and hosts 20,000 exhibitors and 5 million visitors. The Treaty of Paris of March 30, 1856 put an end to the Crimean War, the very year in which the Prince Imperial was born. The railway networks are reorganized and redistributed between the Péreire brothers and the Rothschilds. The publications of "Madame Bovary" by Flaubert and "Fleurs du mal" by Baudelaire in 1857 lead to their respective convictions for outrages against good morals.

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